Italian High Renaissance Painter, ca.1485-1576 Italian painter active in Venice. As a young man he was taught by the Bellini family and worked closely with Giorgione. His early works are so similar in style to Giorgione's as to be indistinguishable, but soon after Giorgione's early death Titian established himself as the leading painter of the Republic of Venice. Among his most important religious paintings is the revolutionary and monumental Assumption (1516 ?C 18) for Santa Maria dei Frari, in which the Virgin ascends to heaven in a blaze of colour accompanied by a semicircle of angels. Titian was also interested in mythological themes, and his many depictions of Venus display his work's sheer beauty and inherent eroticism. Bacchus and Ariadne (1520 ?C 23), with its pagan abandon, is one of the greatest works of Renaissance art. Titian was sought after for his psychologically penetrating portraits, which include portrayals of leading Italian aristocrats, religious figures, and Emperor Charles V. He reached the height of his powers in The Rape of Europa (c. 1559 ?C 62), one of several paintings done for Philip II of Spain. He was recognized as supremely gifted in his lifetime, and his reputation has never declined.  Related Paintings of Titian :. | Assumption of the Virgin | Agony in the garden | Christ Crownde with Thorns (mk08) | The Burial of Christ | Portrait of Cosme de Medicis |
Related Artists:
Louis XIV s

Edward Jukes Greig
b. 1839 Melbourne, Victoria Also known as E. J. G. Artist (Draughtsman), (Cartoonist / Illustrator), (Painter) Colonial Victorian painter, cartoonist and illustrator. Birth datec.1839Birth placeMelbourne, VictoriaDeath date4 October 1864Death placeSydney, New South Wales. Residence 1864 11 Crown Street, Millers Point, Sydney, New South Wales c.1860- c.1864 171 Victoria Parade, Melbourne, Victoria Active Period 1860- 1864
joris Hoefnagel
Flemish Northern Renaissance Manuscript Illuminator, 1542-ca.1600,Flemish illuminator and draughtsman. He was the last of the great Flemish manuscript illuminators and the foremost topographical draughtsman of his age. His work forms a critical link between earlier manuscript illumination and ornamental design and the genre of floral still-life painting,